作為地質學與陶藝創作者，逐漸培養出對生命、陶土、岩石與土壤中異質現象的敏銳觀察。植物、動物與氣候透過侵蝕與堆積，改變著地表的紋理與形貌，這些自然運行的軌跡，也成為創作中不可或缺的靈感來源。
在創作時，我經常思考這些自然界中的重複與變化。那些破碎、地貌般的形體不斷細分，每一部分都是整體的縮影。我運用「自相似性」、「反覆」與「隨之產生的肌理」，藉此詮釋我眼中的自然。也希望觀者與我一樣，透過與作品的相處，能以不同的視角重新看待這個自然世界。
As a geologist and a clay artist, I have developed an appreciation for the anomalies in the many forms of life, clay, rock, and soil covering the Earth’s landscape. I am intrigued by the way plants, animals and weather influence the Earth’s surface, by both erosional and depositional means. This fascination has become an integral part of my art.
I am currently thinking about these iterations as I make art. Since these fragmented and geomorphic shapes are repeatedly subdivided into parts, each a smaller copy of the whole, I use self-similarity, iteration and subsequent textures which in turn allows me to interpret nature for the viewer and myself: hopefully with both of us seeing the natural world differently after spending time with my work.