我的作品可分絞胎與崁胎兩種工法，兩種的做法都是利用白色瓷土，與色料混合調色為用土。絞胎/將不同粗細土條絞合一起，然後切塊堆積組合修坯完成。崁胎/把固定的圖形配置好後其他空格裝在填入色泥，也是一樣堆積完成。這兩種的工法法都是手工完成，而其特性是表裡如一，同時每件作品都是唯一。
My works are created using two main techniques: nerikomi (marbled clay) and inlay. Both begin with colored porcelain clay, made by mixing white porcelain with pigments.
In the nerikomi technique, clay strips of varying thicknesses are combined and twisted, then cut, stacked, and shaped to form the final piece. In the inlay method, fixed patterns are first laid out, and the surrounding spaces are filled with colored clay, followed by stacking and shaping. Both processes are entirely done by hand, and the result is a piece that is consistent inside and out—each one absolutely unique.