現階段創作以岩花紋及木紋入陶，每個面都有不同紋路，隨著柴燒落灰及火痕造就了多變的顏色肌理，猶如色彩豔麗的大理石及斑裂木皮，表面還附著礦物結晶所產生的墨綠斑點，像極了岩石或木皮上的青苔，讓器韻更有古樸之感。
My current work incorporates rock-like and wood-grain textures into the clay body. Each surface reveals a different pattern, and the unpredictable effects of wood firing—falling ash and flame marks—create rich variations in color and texture. The result often resembles vividly colored marble or cracked bark. Mineral crystallization during firing also leaves dark green specks on the surface, reminiscent of moss growing on stone or wood. These qualities lend the work an ancient, rustic character.