作品藉由對山的嚮往，嘗試將其樣貌更貼近自然，並從中加以實體化、抽象化、符號化。在作品中盡可能的賦予對於山林的印象，希望能夠從中找出與器物結合的可能性。透過陶與自然的融合，以求能夠達成器物藝術化的理想。
A longing for the mountains is injected into the works to take its appearance a step closer to nature in a physical, abstract, or symbolic manner. The idea of the wooded mountains is communicated through the works as a means to explore a way to connect with the utensils. The fusion of ceramics and nature serves a path to achieve the ideal of utensils as art.